Bringing together a diverse group of world-leading professionals across post-production film sound and electroacoustic music, Art of Sound explores the creative principles that underpin how sonic practitioners act to compose, tell stories, make us feel and communicate via sound. Revealing new understandings through analysis of interdisciplinary exchanges and interviews, this book investigates questions of aesthetics, perception, and interpretation, unveiling opportunities for a greater appreciation of the creativity and artistry in sound practice which underpins both experimental electronic music and the world’s leading film and television productions. It argues that, in contrast to traditional ideas which can imagine creativity to flow from overarching creative visions, we can better understand and appreciate the creative act as constantly unfolding process of inspiration, material action and reflection, within which the creative flows with the materials of the work negotiating rich networks of potential. Such an approach enables us to better celebrate the reality of the creative process, de-centering technologies and universal rules from our frameworks, opening up sonic practices to more diverse ideas and approaches. Art of Sound provides insight into the latest developments and approaches to sound and image practice for composers, filmmakers, directors, scholars, producers, sound designers sound editors, sound mixers, and students who are interested in understanding the creative potential of sound.

Bringing together a diverse group of world-leading professionals across post-production film sound and electroacoustic music, Art of Sound explores the creative principles that underpin how sonic practitioners act to compose, tell stories, make us feel and communicate via sound. Revealing new understandings through analysis of interdisciplinary exchanges and interviews, this book investigates questions of aesthetics, perception, and interpretation, unveiling opportunities for a greater appreciation of the creativity and artistry in sound practice which underpins both experimental electronic music and the world’s leading film and television productions. It argues that, in contrast to traditional ideas which can imagine creativity to flow from overarching creative visions, we can better understand and appreciate the creative act as constantly unfolding process of inspiration, material action and reflection, within which the creative flows with the materials of the work negotiating rich networks of potential. Such an approach enables us to better celebrate the reality of the creative process, de-centering technologies and universal rules from our frameworks, opening up sonic practices to more diverse ideas and approaches. Art of Sound provides insight into the latest developments and approaches to sound and image practice for composers, filmmakers, directors, scholars, producers, sound designers sound editors, sound mixers, and students who are interested in understanding the creative potential of sound.

- Provides a much-needed, comprehensive overview of the field of animal welfare, which has been rapidly growing and evolving - Reviews the core topics in this field, such as the scientific bases for moral consideration of animals, developing conceptualisations of animal welfare, the broad range of animal welfare issues, animal ethics, animal advocacy campaigns, and animal law and policy - Addresses emerging issues such as the impact of climate change, animal exploitation, antimicrobial resistance and pandemics - essential reading for students of animal welfare everywhere, and for policy-makers, researchers and other professionals working in the animal welfare sector

Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume's interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice-informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music. This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image.

MATLAB The tremendously popular computation, numerical analysis, signal processing, data analysis, and graphical software package-allows virtually every scientist and engineer to make better and faster progress. As MATLAB's world-wide sales approach a half-million with an estimated four million users, it becomes a near necessity that professionals and students have a level of competence in its use. Until now, however, there has been no book that quickly and effectively introduces MATLAB's capabilities to new users and assists those with more experience down the path toward increasingly sophisticated work. Basics of MATLAB and Beyond is just such a book. Its hands-on, tutorial approach gently takes new users by the hand and leads them to competence in all the fundamentals of MATLAB. Then, with equal effectiveness, it covers the advanced topics that lead to full, creative exploitation of MATLAB's awesome power. With this book, readers will: Solve more problems with MATLAB-and solve them faster Create clearer, more beautiful graphics with control over every detail Create their own MATLAB code Share their work by exporting data and graphics to other applications Develop graphical user interfaces Based on the latest 5.x release, Basics of MATLAB and Beyond supplies both novice and experienced users the tools they need to gain proficiency, increase productivity, and ultimately have more fun with MATLAB.

Thomas Andrew Knight (1759-1838) was a distinguished British naturalist and botanist who is often regarded as the father of nineteenth-century horticultural science. From 1811 to 1838 Knight was the president of the Royal Horticultural Society and his interest in structural biology, plant physiology and plant breeding is evident in this collection of papers, published in 1841. On his country estate in Herefordshire, Knight devoted his time to research and writing, and carried out experiments on plants and trees. He published papers on his theories about such physiological problems as the ascent and descent of sap and how buds are produced. The main focus, however, is on Knight's own practical work: building greenhouses and experimenting with plant nutrition, fertilisation and the improvement of fruit trees by selective breeding (work later appreciated by Darwin). In an interesting chapter on animals, Knight relates his observations on the behaviour of bees and dogs.

Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume's interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice-informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music. This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image.

MATLABä-the tremendously popular computation, numerical analysis, signal processing, data analysis, and graphical software package-allows virtually every scientist and engineer to make better and faster progress. As MATLAB's world-wide sales approach a half-million with an estimated four million users, it becomes a near necessity that professionals and students have a level of competence in its use. Until now, however, there has been no book that quickly and effectively introduces MATLAB's capabilities to new users and assists those with more experience down the path toward increasingly sophisticated work.
Basics of MATLAB and Beyond is just such a book. Its hands-on, tutorial approach gently takes new users by the hand and leads them to competence in all the fundamentals of MATLAB. Then, with equal effectiveness, it covers the advanced topics that lead to full, creative exploitation of MATLAB's awesome power. With this book, readers will:
· Solve more problems with MATLAB-and solve them faster
· Create clearer, more beautiful graphics with control over every detail
· Create their own MATLAB code
· Share their work by exporting data and graphics to other applications
· Develop graphical user interfaces
Based on the latest 5.x release, Basics of MATLAB and Beyond supplies both novice and experienced users the tools they need to gain proficiency, increase productivity, and ultimately have more fun with MATLAB.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Upon The Necessity Of A Commutation Of Tithes Thomas Andrew Knight

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Few ethical issues create as much controversy as invasive experiments on animals. Some scientists claim they are essential for combating major human disease, or detecting human toxins. Others claim the contrary, backed by thousands of patients harmed by pharmaceuticals developed using animal tests. Some claim all experiments are conducted humanely, to high scientific standards. Yet, a wealth of studies have recently revealed that laboratory animals suffer significant stress, which may distort experimental results.
-Where, then, does the truth lie?
-How useful are such experiments in advancing human healthcare?
-How much do animals suffer as a result?
-And do students really need to dissect or experiment on animals?
-What are the effects on their attitudes towards them? Bioethicist and veterinarian Andrew Knight presents more than a decade of ground-breaking scientific research, analysis and experience to provide evidence-based answers to a key question: is animal experimentation ethically justifiable?